NEW YORK – Playwrights Tom Stoppard and Harold Pinter needn’t worry about their names being usurped in posterity’s annals by Karol Wojtyla, the archbishop of Krakow, Poland, who became Pope John Paul II. But there is much to admire in the late pope’s drama, “The Jeweler’s Shop,” currently on view in New York, courtesy of the Storm Theatre, the first in an ambitious and praiseworthy series of all his major works. The 1960 play is probably the best-known title (if any can truly be considered well-known) of the former actor’s theatrical work. There was a movie with Burt Lancaster and Olivia Hussey in 1988. On stage, in Boleslaw Taborski’s translation of the original Polish, the definition of “play” is stretched to the limit. The playwright himself slyly subtitled it “A Meditation on the Sacrament of Matrimony, Passing on Occasion Into a Drama” when it was first published, as if to acknowledge the lack of dramatic incident. Still, it’s a fascinating piece.



