Another round with the Woodstock Nun

Sister Susanne Bunn, a Mission Helper of the Sacred Heart, is shown in a 2016 Catholic Review photo. (Kevin J. Parks/CR Staff)

The fleeting image of the demure and habited nun furtively flashing the two-finger peace sign in the 1970 documentary “Woodstock” has floated softly through five decades now, a lasting if elusory symbol that touches on the historic music festival but ultimately alights someplace else.

When she spoke to the Catholic Review three years ago, Sister Susanne Bunn, a Mission Helper of the Sacred Heart since 1964, didn’t offer any profound explanations for her quiet fame.

“That was just how I greeted people, speaking their language,” she said. “That’s ‘Hello there.’”

Catching up with the Woodstock Nun,” appeared in the August 2016 issue of the Review. We understood that her little story was to be told; waiting three years to coincide with the 50th anniversary of Woodstock would have been beside the point.

Still, with Aug. 15 marking the golden anniversary of the start of the Woodstock festival, we received a clean pretext for us to check in with Sister Susanne once again. The South Baltimore native – she grew up attending Mass at St. Mary, Star of the Sea, in Federal Hill – now lives at Abingdon Gardens, a Catholic Charities Senior Community, in Harford County.

She retired from teaching faith formation classes at Holy Spirit and Prince of Peace churches, respectively located in Joppa and Edgewood, at the end of June.

“I’ve been blessed to be wherever I’ve been,” Sister Susanne, 76, said in our most recent interview.

When we called, she was socializing with fellow Abingdon Gardens residents – “beautiful, salt-of-the-earth people; they prayed that I can stay here, which makes me feel very good” – and was looking forward to later in the evening, when she would reread the retirement cards she received from her parishioners.

“The wonderful goodbyes from my parishes warmed my heart,” she said.

Now as then, a conversation with Sister Susanne reveals a Fred Rogers-level of artifice and, in its place, the undefinable simplicity that was evident in the six seconds of 1969 footage as well as in the reenactment photo taken 47 years later by Catholic Review staff photographer Kevin Parks.

“God can use this or not use this,” Sister Susanne said of her Woodstock connection, though she did enjoy the minor notoriety that followed the publication of the Catholic Review’s original article.

“There were little comments like, ‘I didn’t know you were the Woodstock nun,’ because, as you know, I am God’s most ordinary person,” she laughed.

Sister Susanne shrugged at recent failed attempts to resurrect/re-monetize the spirit of the festival, which was briefly slated to happen in Columbia.

“I have an opinion,” she said. “Would you like to hear it? Everyone who was (at the original Woodstock) is 50 years older now,” she said. “So everybody that went to Woodstock is getting a little old.”

Sister Susanne said that Mission Helper Sister Elizabeth Langmead of the Mission Helpers’ central leadership team will soon advise her of her next ministry.

“I’m resting until I get my new whatever’s-going-to-happen Sept. 4,” she said. “I’ve had such an interesting life. You’re formed in some way, for something God has in mind, and it will unfold.”

Erik Zygmont

Erik Zygmont

A journalist since 2005, Erik wrote for small-town publications in New Hampshire before he left for Germany, where he taught English for two years, starting in 2009. He moved to Baltimore and served as editor of the Baltimore Guide from 2012 to 2015. He then served as a staff writer for Catholic Review until August 2017 when his family made plans to relocate from Maryland. He currently serves as a freelance contributor.

Erik is grateful for the richness of the Catholic faith he has experienced since, owing both to his access as a journalist and the Baltimore Archdiocese being the Premier See.